
4.5/5
What a surprise this album is. Hints of rock, dance, electro and anything and everything appear. It's superb. It's certainly the most experimental hip-hop album I've ever heard.
Starting off with a slightly weak song, Cold Wind Blows (by Em's standards), this album get's going on the second track, Talkin' 2 Myself. This track sees Em reflecting upon his last two albums and telling us "Encore, I was on drugs/Relapse I was flushing 'em out". With a fantastic muted guitar riff and heavy hip-hop beats offset against Eminem's fiery, intricate lines and Kobe's great vocal chorus give us an early high point in the album.
Eminem/Rihanna - Love the Way You Lie
4 tracks in and we have Won't Back Down feat. Pink... very different. Its backing track is not what you would expect from a hip-hop song. This, however is what this man is all about. Em shouts his rap over the top of a Jimi Hendrix-esque guitar riff and Mitch Mitchell style drum part and Pink sings our chorus with her usual rasp and angst. A fantastic song, a real treat for fans of crossover sensibilities.
Going Through Changes is brilliant. Using an Ozzy Osbourne sample for its chorus and a very catchy acoustic guitar riff underneath the verses is a master stroke and lyrically, wow, emotive isn't the word. "I'm hating my own reflection" being just one line showing his self loathing. Seduction is the opposite, though still great, it's completely self promoting.
No Love is superb, it uses Haddaway's What is Love? very cleverly as a sample and Lil' Wayne sounds really good on this (might be the first time I've ever said that). Space Bound is very different as well, the backing track has a real Bends-era Radiohead feel about it.
Cinderella Man is very good. Lyrically stunning. The type of track that makes the hairs on the back of your neck stand up.
Love the Way You Lie is a genuine rap ballad. This may well be the album's peak. I can see this being a very big song. Possibly a number 1 for Em and Rihanna if released as a single. Her vocal is lovely and a wonderful contrast to Em's aggressive rapping style. 
In all, this is a very good album. Lyrically, nothing he ever does will be able to match his second and third albums, but for the sheer change of musical direction, this album deserves to be held in high regard. I do, at points, wish he wouldn't sing so many choruses, but I have to say I can overlook this. There's still a fire in his rapping and lyrically, it's still better than anything released these days by other artists. His sexism and homophobia are still there, but, as I've always felt with Eminem, this is tongue-in-cheek - excuse the pun. At points this album is astonishing. Very pleased with this one, along with MGMT, Eminem has made a record we can really celebrate this year.
Eminem - Recovery: Reviewed
Tuesday, 22 June 2010
Posted by Unknown at 09:47 0 comments
Labels: Eminem, Lil' Wayne, Ozzy Osbourne, Pink, Recovery, Rihanna
Eminem: Not Afraid (New Single) - Reviewed
Tuesday, 25 May 2010

4/5
Being the most controversial, recognisable and gifted rapper of his generation means Eminem releases are always big news. With a new album, Recovery, set to come out in June, Not Afraid, the first single from said album is an interesting track.
With a kind of militant, choral chorus with a heavy amount of voice multiplication and verses which include an almost shouted vocal, this track is not half bad. Eminem has always been fantastic at bending the English language to fit into his sometimes remarkably intricate raps and this track is no exception.
The song has a feeling of complete determination about it. Defiant lyrics, littered with the profanities we have come to expect from Detroit's finest export since a certain label ruled the world (Jack White's not too shabby either though, I suppose), Not Afraid, I imagine, is destined to be a worldwide hit, or at least a trans-Atlantic one.
The boy's done good once more!
Posted by Unknown at 08:24 0 comments
Labels: Eminem, Marshall Mathers, New Music, Not Afraid, Recovery, Slim Shady