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Made in Shoreditch

I also contribute a weekly column to Made in Shoreditch magazine called 'Old East End/New East End', where I look at the relationship between the East End of old and new, looking at the changes and the stalwarts in landscape, residents and culture, focussing on one street or district each week. You can find it here.
Showing posts with label Amy Winehouse. Show all posts
Showing posts with label Amy Winehouse. Show all posts

5 of the Best - Posthumous Releases

Thursday, 28 July 2011

2Pac, Biggie, Jimi Hendrix and even Joe Strummer, to name just a few, have all released posthumous music to varying degrees of success and quality. Now it seems that Amy Winehouse will be the next in line.



Amy Winehouse, in case you've been under a rock for the last 6 years

According to The Independent, Universal Records believe there are about a dozen songs with a "framework". This probably means that 12 or so have a vocal take laid down, which in today's world is easily tweaked if not perfect.

Anyway, with that in mind, here's 5otB released under an artist's name after their death...

Joe Strummer and the Mescaleros - Coma Girl: Strummer's ode to his daughter and her festival-loving nature is one hell of a rebel rock track. All rockabilly guitars and snarled, biting vocal, this is one of the best tunes the band ever released.


Coma Girl

Otis Redding - Sittin' on the Dock of a Bay: Released just after a plane crash tragically took one of soul's greatest artists, Sittin' on the Dock of a Bay could calm down a pack of blood-thirsty rotweilers at a hare convention. A beautiful, calm and easy track with the catchiest damn whistled melody ever put to a recorded song.

Jimi Hendrix - Angel: Hendrix manages to evoke such emotion in this song that whenever it's played I simply shut the hell up and listen. It is a song of superb sonic sadness and beauty and is one of those you can file in the spine-tinglers folder.


Angel

Billie Holiday - Baby Won't You Please Come Home: Set against lovely brass parts, Holiday's perfect vocal leaves one questioning 'what if she'd stayed alive?' Sadly she didn't and what we are left with is Last Recordings, the album this song sits at the end of. If ever there were a cushion for the blows dealt by pop star deaths, this song and its parent album have to be considered among the softest.

Johnny Cash - Ain't No Grave: The lyric says it all really in this song and I must say, and maybe it's due to the masterful production by Rick Rubin, but Cash's vocals in his later years might actually be better than those on his earlier works. An extremely sad and haunting song.


Ain't No Grave

Amy Winehouse is Dead

Monday, 25 July 2011

In his superb first novel, Junky, William S. Burroughs takes the reader on a journey through the life of a man addicted to opiates. The book's startling revelations, unapologetic tone and stark honesty lay bare all of the thoughts, feelings and sickness that one in the stranglehold of 'junk' has.

What Junky gives the reader is a feeling of compassion with the 'junky'. So then, the news of the death of singer Amy Winehouse on Saturday comes firstly, as a sad, horrific and humbling turn of events, but secondly conjures up a sympathetic and empathetic stirring in me which ultimately makes me think of everything she hadn't done.


Always Controversial - Amy Winehouse

Opiates have a hold on their user comparable to a possessive lover. They control them, make them base their life around them and eventually ruin their life. In Winehouse's case, they ended it.

Taken from the World at just 27, Winehouse leaves us at the age that many a pop star before has including Kurt Cobain, Jimi Hendrix and Janis Joplin. Unfortunately, the 27 Club (as it's known in rock circles) has welcomed its newest member.

The outpouring of sadness and despair at her untimely demise has had one recurring theme; this is not only a loss to the World, but a real loss to music. That is not debatable. Winehouse had a talent and knowledge of music unparalleled by many. The great shame, musically, is that Winehouse had more in her than Back to Black and Frank. Though both albums were fine, the harking backwards to soul and jazz on those albums could sound passée.


Winehouse on 'junk' (left) and before 'junk' (right)

The future held so much for Winehouse career-wise. Back to Black should not have been her magnum opus. With a talent such as her's, if she'd had a long, mappable career, we could have looked back and seen her second studio album as the point at which she started to flower. In many ways it could have been an album analogous to Rubber Soul by The Beatles. Winehouse had a chance to cross genres and transcend stereotypes. She now has nothing and her family have lost her.

Ultimately Winehouse's death is so sad because she was so young, so talented and so troubled. It's another early death in popular music mired by the use of hard drugs. A post-mortem will be carried out today, most of us expect it to show that her system was ravaged by drug-use. Winehouse was a junky and because of that was governed by opiates. She is now dead, like many before her. My thoughts are with her family.